Starr Interiors’ Alcove Shows featuring Remarkable Women – August 2012, Terrie Mangat

 Join us for our 4^th Alcove show at Starr-Interiors, 

fea­tur­ing Remark­able Women of Taos. 

The Ter­rie Han­cock Man­gat show

opens on Sat­ur­day August 4^th 4–6 PM 

and will be on dis­play till August 27^th

 

Skele­ton Mem­o­ry Jar, tex­tile art by Ter­rie Han­cock Mangat

 

 

Starr Inte­ri­ors is locat­ed on 117 & 119 Paseo del Pueblo Norte, Taos NM, look for our beau­ti­ful, his­tor­i­cal courtyard.

Con­tact us at 575–758-3065 or 1–800-748‑1756 for more infor­ma­tion and photos.

TERRIE HANCOCK MANGAT

Ter­rie Han­cock Man­gat is an inter­na­tion­al­ly known tex­tile artist. She has been vis­it­ing Taos since 1992 had a home and stu­dio here mov­ing per­ma­nent­ly and liv­ing in Taos since 1998.

Ms. Man­gat has been gen­er­al­ly cred­it­ed with pio­neer­ing and pop­u­lar­iz­ing embell­ish­ment on con­tem­po­rary quilts since the ear­ly 70’s.

Ter­rie grad­u­at­ed from the Uni­ver­si­ty of Ken­tucky in 1970 with a degree in art, and has exhib­it­ed and taught quilt mak­ing both in the U.S. and abroad for 30 years.

Sad­ly, this ful­fill­ment gets affect­ed by some sex­u­al prob­lem like buy cialis pill erec­tile dys­func­tion. Today, the drug helps males in their online phar­ma­cy silde­nafil erec­tion prob­lems. Now you must tablet via­gra be think­ing, what Ovu­la­tion is? Ovu­la­tion is a part of the fun and enjoy­ment of their sex­u­al activ­i­ty. These med­i­cines enable them tem­po­rary solu­tion of their exist­ing prob­lem of erec­tile dys­func­tion. cialis gener­ic whole­sale Her work has been shown in such venues as the San Jose Quilt Muse­um, the Ber­nice Stein­baum Gallery in NYC, the San Diego His­tor­i­cal Soci­ety and the Inter­na­tion­al Folk Art Muse­um in San­ta Fe, just to name a few.

In 2000 “Dash­board Saints: In Mem­o­ry of Saint Christo­pher, Who Lost His Mag­net­ism” she was named one of the top 100 Amer­i­can Quilts of the 20^th Century.

Ms. Mangat’s quilts are mixed media and often depict some­thing that she has seen or observed. Due to mas­tery of her tech­nique, she is equal­ly com­fort­able with pic­to­ri­als, tra­di­tion­al or abstract expres­sions. The sub­ject mat­ter of her work gen­er­al­ly falls into the cat­e­gories of per­son­al expe­ri­ence, social and polit­i­cal phi­los­o­phy, and cul­tur­al and ethno­graph­ic appreciation.

In addi­tion to being a world-rec­og­nized quilt mak­er, Ms. Manget designs and prints fab­ric. She has cre­at­ed acclaimed designs for sev­er­al com­mer­cial fab­ric hous­es. Ter­rie con­struct­ed her own screen-print­ing stu­dio where she prac­tices the tech­ni­cal aspects of print­ing her hand drawn gouache designs on silk and cotton.

Some of Ter­rie Man­gat col­lec­tors include Jack Walsh who is a major quilt col­lec­tor, and has a nation­al­ly sig­nif­i­cant col­lec­tion of con­tem­po­rary quilts. She cre­at­ed a com­mis­sioned large quilt on the sub­ject of water. 

Also amongst her col­lec­tors she has a quilt at the Chase Man­hat­tan bank in N.Y., Alfred P. Mur­ray Fed­er­al Build­ing in Ok. City, Jew­ish Hos­pi­tal, Cincin­nati OH, Cleve­land Memo­r­i­al Hos­pi­tal in Cleve­land OH, and many more.

“Ter­rie Han­cock Man­gat has an estab­lished rep­u­ta­tion among art quil­ters as one of the most impor­tant embell­ish­ers work­ing today. Her com­plex com­po­si­tions draw upon the pow­er of pat­tern, have mul­ti­ple focal points, are par­tial­ly real­is­tic and par­tial­ly abstract, and are com­prised of a myr­i­ad of mate­ri­als and objects in addi­tion to fab­rics, includ­ing, for exam­ple, but­tons, beads, and pho­to­graph­ic rep­re­sen­ta­tions. Togeth­er, these mate­ri­als enable Man­gat to achieve a scale so large that the view­er feels phys­i­cal­ly encom­passed by the sto­ries she tells.” Kate Bonansin­ga, direc­tor, Stan­lee and Ger­ald Rubin Cen­ter for Visu­al arts at the Uni­ver­si­ty of Texas at El Paso

“Ter­rie Han­cock Man­gat is an aca­d­e­m­i­cal­ly trained painter whose high­ly per­son­al and often auto­bi­o­graph­i­cal work is embell­ished with beads, but­tons, and oth­er small three dimen­sion­al objects. Mangat’s art is nar­ra­tive and pic­to­r­i­al; her quilts tell sto­ries through detailed rep­re­sen­ta­tions of her obser­va­tions and mem­o­ries and often deal with social or per­son­al issues. Her embell­ish­ments are often per­son­al as well, drawn from her vast col­lec­tions of jew­el­ry, charms, beads, pins, and oth­er minia­ture keep­sakes. Robert Shaw, author, Con­tem­po­rary Art Quilts, Uni­ver­si­ty of Ken­tucky, The John M. Walsh III Collection