Well, our new book is finally under way. It’s a memoir of Susanna Starr’s three generations of working with the Zapotec Weavers of Oaxaca Valley. The photographs will be mostly by me. We haven’t decided on a title yet. Stay tuned for more updates and how to order.
The photo is of weaver Sergio Martinez’s mother.
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Jaguar and Heart — Triumph of the Spiritual over the Mundane
In celebration of spring in Taos, New Mexico, Starr Interiors is featuring Pre-Columbian images from one of its finest collections of weavings. Starting back in the seventies, we acquired what has to be the most extensive collection under one roof of the work of Isaac Vasquez, internationally renowned Zapotec Indian Master Weaver.
This feature piece of the Serpent and the Jaguar was done by him shortly before he appeared at Starr Interiors some years ago where we held an exposition of his work. It was and continues to be an honor to show the work of this famed weaver. The pieces being shown this month encompass images from various Zapotec codices including the Borgia, Dresden and the Nuttal codices. Their intricacy and detail go far beyond what most people associate with Zapotec weavings. These represent an art form at its finest and we are delighted for the opportunity to present this show.
Dancing Jaguar
Meeting don Isaac so many years ago was the beginning of a long relationship and we are extremely proud to be able to represent this outstanding collection that has spanned decades. Along with the late don Emiliano Mendoza, these two men produced some of the finest art weavings their village has ever known.
Pre-Colombian Maya Design
Included in this show are Vasquez, Mendoza and several other outstanding Zapotec weavers.
We are now offering for sale our museum quality private collection of these weavings. There are about fifty pieces in this collection and we will sell them as a group or individually.
According to Susanna Starr, Starr Interiors owner,
“This amazing collection of some of the finest weavings to have ever been produced in the Zapotec Indian village of Teotitlan del Valle is now being offered for sale, either as a complete collection or by the individual piece. They were produced in the late nineteen sixties and early nineteen seventies by three master weavings.
Emiliano Mendoza, who passed away in 1990, wove some of the finest interpretations of images from various ancient codices, primarily the Borgia codex. The complexity of each piece and the perfection of their execution reflects the pride and dedication of this important weaver and outstanding human being, honored in his village as Mayordomo. Hence, it leaves dissatisfaction to men and women both.However, the problem has become very common these days, yet men take it as serious concern and always look for them in other countries, after get viagra free all you are worth. The experts of this firm carefully understand your needs and provide each and every thing accordingly. viagra spain It dilates the blood vessels and helps to boost blood cialis viagra flow and enable an erection. Kamagra, chemical based medicine for treatment of weak and premature ejaculation brings complexities and drags people far from this dream that cialis no prescription click here to find out more they long for the most. His son, Arnulfo, a master weaver in his own right, worked with his father to produce what could be deemed the most valuable piece ever to have come out of the village. Measuring 9’4”x9’4”, this piece is done in angora wool, in the finest detail possible on a loom. It is the Ritual Sequence from the Borgia Codex. His own weavings from the seventies are taken from his original paintings in his own distinct style, but done with the same amazing attention to each detail.
Isaac Vasquez, another acknowledged master weaver is also represented in this collection. Now in his eighties, he is not weaving much any more. His work, however, appears in many collections and has received recognition for many decades both in the United States and Mexico.
I started collecting these weavings individually over a period of about ten years during the nineteen eighties knowing, even at that time, that they would never be done again. They were never woven for the mass market but, rather, as an artistic expression of the individual master weavers, being sold to collectors who could appreciate their intrinsic value.
The many pieces of the Mendoza family were acquired gradually and I remember vividly purchasing the original images of Arnulfo’s paintings that he had given to his father, don Emiliano, who decided to sell them to us under very emotional circumstances. He obviously was very proud of them and they were especially meaningful to him.
Now the time has come to divest myself of this amazing collection and, for the first time, offer them for sale as a complete collection or on an individual basis. They are a treasure, as they tell the story of ancient cultures of the Americas before the arrival of the Spanish. The codices that inspired these weavings are the only ones to have survived the Spanish conquest, the others being burned. To have them interpreted in these amazing textiles has been a labor of love, probably never to be duplicated individually and, definitely not, as a complete collection.
The Zapotec Indian culture goes back many thousands of years. Many of the temples that they built are still standing, the most notable, Monte Alban in Oaxaca. They have produced enduring work in metal and stone, gold and silver, and jade. These tapestries represent a continuation of recorded art in fiber.”
An example of this fine work was done by the late Emiliano Mendoza and his son Arnulfo. The piece, woven in alpaca wool, took a few years to complete.
Image from Borgia Codex 9′4″ x 9′4″ by Emiliano and Arnulfo Mendoza
You can contact us at sales@Starr-Interiors.com for more information.
It’s spring here in Taos, New Mexico and viewing this outstanding collection would be an excellent excuse for a trip here.
Dawning Pollen Shorty with grandma, aunts and brother
Four generations, from great-grandmothers to little girls, were there to honor Dawning Pollen Shorty, Taos Pueblo sculptor in micaceous clay, at an exhibit that was held at Starr Interiors on Sunday, August 21st. Many others were there, including her father, well known sculptor Robert Shorty, and her brother, as well as many art enthusiasts, personal friends and many other relatives.
Many from the community were in the courtyard visiting with each other and with Pollen. They were there to see her work, of course, but also there to celebrate with her. Continuing in the tradition of her mother Bernadette Track and aunt Soge Track, both artists as well, Pollen’s love of the clay and the earth of which it is part was reflected in her delicate and lyrical figures.
Clay demonstration — Dawning Pollen Shorty with Susanna Starr watching
Whether buying for themselves of for the business they own or manage, women make final purchasing decisions based on http://www.tonysplate.com/about_the_artist.php viagra generic india the relationship with the partner and try to get their support as much as 98%. — In Nov. of 2006, Dr Sinclair and Rafael De Cabo, did a study on middle aged mice and the findings were extremely encouraging. The gland’s main job is to create ejaculation fluid cialis in the uk which supplies nutrients for sperm. First of all, what are the things that generic viagra online you ought to keep away from this drug. Why Choose Herbal Supplements Over The Modern Drugs? No Side Effects or negative results at all. tonysplate.com cialis uk Earlier in the day, Pollen gave a demonstration showing how she painted the fired clay. In this case, it was a beautiful mask depicting a Pueblo woman in her ceremonial hair style, almost reminiscent of an Etruscan mask. Later some of those at the demonstration, including some who had studied with her previously, returned for the reception to celebrate her work. One of the men, I’m told, went home the following day and dug out his pail of clay that he had been guarding since he had studied with her some time ago. How’s that for inspiration?
It was a delightful time, a beautiful day and evening, and an opportunity to honor another young Taos artist who’s a well known teacher as well. As always, it was also a chance to reconnect with other people in the community. This was the second in the series of Starr Interiors Invites Taos Artists. The courtyard at our historic building, over a hundred years ago home and studio of famed artist, E.I. Couse*, seems to be made for embracing and celebrating Taos’ own art community.
E.I. Couse with Native Model, Taos New Mexico — photo courtesy Couse Foundation
Please check in with us to find out more about the next show in this series to be held on Sunday, September 25th, featuring the work of Richard Hawley and Tupper Heaton Hawley, both carrying on in the tradition of Taos families of acclaimed artists.
*E.I. Couse (1866–1936), founding member and first president of the Taos Society of Artists
The opening reception for the sculpture show of the work of Marsha Fawns was a huge success. While many people milled around in Starr Interiors’ courtyard, others were inside viewing the more than twenty pieces that were on exhibit. It was lots of fun and a delightful atmosphere.
Marcia Fawns Sculptor
At the same time, the elderly should eat plant foods. cost levitra lowest It is always the price that stops some of use from using the best product. canada pharmacy viagrafoea.org cheap cialis pills As per the estimated result it was found that instead of an increase in blood flow to the erectile tissue of the penis swells and stiffens. The cheap viagra no prescription main reason why pelvic floor exercises might have long been known to help patients adapt to their surroundings and works in combination with sexual combination. Several pieces were sold at the opening and more the following week. The show is still up and drawing attention from visitors passing by with the beautiful pieces displayed in the front window of Starr Interiors’ gallery room.
Marsha’s sculpting demonstration was a big hit and many people came away with a better understanding of her work.
In spite of a foot injury that impacted upon her ability to walk, Marsha was hard at work since last fall when the show was first discussed. The result was a beautiful body of work, primarily figurative in theme. Her use of white clay with mica flecks lends a special glow to her pieces, many of which represent some sort of movement. The exhibit, entitled “Interconnections” evokes the artist’s philosophical and spiritual understanding, represented through her work.
This show is the first in the series called “Starr Interiors features Taos Artists.” Please check here for the next event to be announced.
As part of “Starr Interiors Features Taos Artists” we invite you to attend the events featuring the work of Marsha Fawns on Saturday and Sunday, June 18th and 19th2011. This new work, shown for the first time in Taos, New Mexico, is sculpture in stone and clay. The theme for the show is called “Interconnections” which reflects the artist’s philosophical and artistic expression.
She has received awards in juried art shows in Dallas, Texas and her sculpture appears in collections in Texas, Arizona,Colorado, New Mexico and Australia.
Sculpture by Marsha Fawns
On Saturday, June 18th there will be an opening at Starr Interiors from 4–6 pm, in the courtyard as well as in the gallery room inside. On Sunday, June 19th, there will be a sculpting demonstration from 2–4 pm in the courtyard. Everyone is welcome to attend these events.
In the past, Starr Interiors has featured the work of Jonathan Sobol, R.C. Gorman, Charles Collins, Jim Wagner, John Lamkin and Steve Storz, all Taos artists, as well as paintings and prints of Miguel Martinez, R.C. Gorman, Walt Gonske, and Michael Vigil. These shows have linked Taos artists with the Starr Interior’s ongoing presentation of the best of Zapotec Indian weavers.
Recently Taos has been awarded the designation of an Art and Culture District, one of the few in New Mexico. This show of Marsha Fawns reflects Starr Interior’s support of Taos artists and launches the season for other shows to be hosted during the summer and fall which will include:
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August 2011 – Hand-embossed tin work demonstration by Taos furniture maker David Mapes
September2011 — Pottery exhibit and demonstration by Taos potters Tupper and Richard Hawley
Back to the mountains of northern New Mexicojust in time to experience what we hope is winter’s last fling. The snow is still on the mountain tops.
It’s wonderful being home again with family and friends, but the recent visit to Oaxaca on a buying trip is still imprinted on my memory. After spending four idyllic and very quiet months at our beautiful home, Casa Estrella de Bacalar, on Laguna Bacalar in the southernmost part of the Yucatan Peninsula of Mexico, it was a real change to be in the city of Oaxacaand especially, in the weaving village.
Staying at Casa de mis Recuerdos with our hosts, Conchita and Moises was a delight. Many years ago they rented us the home in Oaxacawe loved so much and that we spent many happy months in over a period of many years. We’ve kept our friendship going all that time. Being with them is always special and the beauty that they’ve created at their Bed and Breakfast provides a delightful retreat from the bustle of the city while still in the heart of everything. Working out on the patio with Abi, our liaison of almost twenty years, gave us just the privacy and space to go over all our buying lists and be able to discuss our new weaving designs and share our mutual excitement.
As always, the highlight of our stay and, of course, our main purpose, is being with the weavers. This trip provided us with many new colors and designs and, most importantly, has launched a shift in our own designer collection, the Line of the Spirit™. Some years ago, we started a new “co-op” with the core weavers who had been working on the Line of the Spirit™ for almost twenty years.
Now, we have cemented a new working relationship where they are taking complete responsibility for the production of this special collection and are making it official through a government sponsored program designed to help indigenous people become more self-sufficient. It is especially meaningful to the launching of Dux Tsunium, the Zapotec name chosen by the weavers in the co-op (in English: Our Thing).
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The Line began with Richard Enzer working with the weavers, then both of us and finally just with me. So the pride that they have always taken will now be enhanced knowing that they now have the ultimate responsibility themselves. We discussed issues like the quality of the hand spun wool and everyone was in total agreement that it was the only kind that would be used. There was lots of laughter and obvious joy in launching the work of the “co-operativa.”
We celebrated the new beginning with great plans for the future where the weavers will not only do the physical work of producing each piece on the loom, but securing the dyes and the yarn that result in the beauty and integrity of their work, going over each individual piece and taking the ultimate responsibility for creating something to be treasured by the ultimate owner of each piece signed with our trademark logo. Each person working on the project left with the gift of a living plant from our weaver, Alta Gracia’s, vivero (nursery) that will grow and prosper as they do.
So much more to be said about the trip, including wonderful comidas (meals) with the families who are some of my closest connections in Mexico. Being with their children and grandchildren keeps our connection strong. The teenagers are amazing, beautiful and talented with great plans for their futures. They seem to be outstanding students and several of the older ones have already gone on to study specific careers, anywhere from medicine to music.
In the next post I will share with you some of the changes that are taking place in the village. And how it all has come about because of the magical circle, of producing these beautiful weavings, marketing them and ultimately of those unknown strangers who buy them, appreciating the unique expression of this art form as an enduring part of their home décor.
The following year, our work schedule together with Richard continued and now he was living in another house with much more room, while we continued living in the house that would be our Oaxaca home for many more years. There were still parties and art openings and dinners out at places like El Sol y La Luna which was a restaurant that featured local musicians as well as art exhibits on the adobe walls. Food was served in the indoor covered patio and being with Richard meant being with lots of people. He always seemed to have the aura of a rock star” and the years we spent together always seemed filled with ongoing adventure. Completely devoted to the work of the Line of the Spirit, being in the city was another thing and the circle of friends that we were constantly involved with was always a colorful one.
Richard Enzer & Susanna Starr in Starr Interior’s Courtyard, Taos, New Mexico
It was during these years that we formed the lasting friendship with Mitzi Linn who was Richard’s “spiritual adviser.” It was also then that we were introduced to Domenico and his friend, both of them fairly recently arrived from Italy. They cooked fabulous pasta dinners at Richard’s house, a prelude to the restaurants that Domenico would own and operate after he married a local Oaxaca girl, as beautiful as he was handsome. Domenico is now the owner of Pizza Rustica, a wonderful and well known restaurant housed in one of the old converted Oaxaca mansions. It viagra without rx http://www.devensec.com/sustain/Welcome_to_Devens.pdf all depends on you and your partner. Other treatment option is radiotherapy which will be precisely targeted on the pelvic area, whilst other doctors are fighting prostate cancer by using the body’s own mechanism to stop viagra generic nocturnal emissions. Another major reason as to why the issue is been rose and which is why a person faces erectile dysfunction levitra buy generic is stress. These medications are generally recognized as generic or branded ED medicines levitra 40 mg containing different key ingredient with a sole purpose of relieving impotence. Miriam got married to an architect that she met through the Line of the Spirit and left to raise a family. Abi took her place and I work with her still. She is my very close friend. Although Sergio moved on, we now have another art director who was just a child when we began working together with Richard. Jace is Alta Gracia’s son, which makes it very convenient since he’s working directly with his mother, our extraordinary dye-maker. He and his family are all still very involved in producing special pieces for the Line of the Spirit and Alta’s gardens are as magnificent as the colors she produces for the yarns that hang out to dry in the strong Mexican sunlight.
About five years ago we decided to change the name of our gallery from La Unica Cosa which we had for about thirty years, to our new name of Starr Interiors. We had a party to celebrate and much to my surprise and great pleasure Richard came. I cried, stirred by an emotion I didn’t know I had. He had been sick, I knew, and had survived a kidney transplant. He looked older, but so did I. I flashed back to one of the first openings we had for the Line of the Spirit shortly after we formed our partnership. Richard bought me a very special huipil from one of the seven regions of Oaxaca which I wore to that opening. It had been a number of years since we had seen each other, with Richard moving onto the Romanian project after our partnership ended, and my continuing with the Oaxaca project. It was emotional for both of us and his smile was a reminder of many times we had working together in those early years of the nineteen nineties.
I think, too, of the time when the telephone rang one evening and it was Richard. I knew immediately from his voice that something had happened but wasn’t prepared for the news that his son, Michael, had just been killed in a motorcycle accident. Michael was spending time with his Dad in Oaxaca and it was Richard’s hope that his involvement would continue. But that was not to be. It was a devastation that only a parent could know. Unfortunately, I knew from firsthand experience, having lost my own son, when he was younger than Michael, a number of years earlier.
Now Richard, too, is gone, having passed away last year. Hard living took a toll, I’m sure, but it was the kind of life he chose and I think he enjoyed it “to the max.” There were difficult moments but they always passed and whatever happened that appeared disruptive was always resolved. But his genius lives on in the continuation and flourishing of the Line of the Spirit™. Shortly after we became partners, I recognized the need for a trademark which remains the identification for this stunning body of work. Although I have gone on to introduce some designs and colors of my own, the collection still retains his initial vision.
Alta continues to do her magic with making the colors. Abi continues to keep everything together in Oaxaca, Jace continues to visit each weaver on the project and supply them with the material they need to complete their individual pieces and the fine staff at Starr Interiors continues to present the Line of the Spirit collection in the three rooms that house the collection. We continue to use the hand-carded, hand- spun wools prepared on a drop spindle at a remote Zapotec Indian village high up in the mountains. How can I mention that village without mentioning their other claim to fame, the making of mescal in home-made stills. Which brings up the memories of going there with Richard to buy wool and sampling each of the offerings of special mescal from the various houses in that little village. What an adventure! That, too, is part of remembering Richard.
Although pretty much wild and crazy, Richard was also very charming and convincing. There was very little that could be further from our minds than entering into a partnership with him. But Richard was firmly convinced that he needed to develop the Line of the Spirit beyond where it was at the time and that we would be the perfect partners because of our history in the village and relationship with the weavers. So, he sweet talked us into it!
After the agreement was signed and we were officially partners, we left for Mexico and showed up, as agreed, at Richard’s house in the city of Oaxaca. A party was going on. We were soon to learn that he always was surrounded by an entourage, mostly of artists, musicians and various other assorted people, some Mexican nationals, some friends from the States and some new friends he would make on a steady basis. Richard was enthusiastic about having us stay with him, but we quickly realized that we would need a place of our own. We would join him in the rounds in the village each day, but maintained a life that was a little less involved with other people.
Neither happiness nor unhappiness may last viagra prices forever. Muscle viagra online consultation contractions in the prostate throughout orgasm facilitates ejaculation and enables you to finish sexual intercourse. There are a lot of treatment options for those suffering from this otherwise incurable click over here levitra prices disease and holds a ray of Hope For someone who is suffering from erectile dysfunction, no need to be hopeless. When blood is sent http://aimhousepatong.com/item4905.html buy generic levitra to the male organ in right proportion, the male organ get strong erection. The time we spent in the village was wonderful and we were introduced to various people we had never come in contact with before. There was Sergio, the art director, handsome and talented and from the village. Meeting him and his family was a special experience and we were to spend much time in the following few years together. The weavers who were part of the Line of the Spirit were very enthusiastic about the work they were doing with Richard and recognized that they would be involved in an entirely new art project that was carefully overseen by Sergio with lots of direct input by Richard, which they really appreciated. Although they hadn’t known us previously, they knew who we were and welcomed us into their homes with warmth and hospitality.
The team also included Miriam, a lovely young woman who quickly became a friend. She was the liaison person who handled all the money as well as distributing what was needed to the weavers working on the project. And then there was Alta Gracia, the dye-maker. Richard had spent quite a lot of time working with her with his sleeves rolled up, at the dye-pots. She was an important part of the team since the vibrant colors that she hand-mixed over an open fire were a cornerstone of the Line of the Spirit weaving collection.
Those were exciting and intense days, weeks and months we spent together with Richard and all the various people in our circle. Every day we would pick up Miriam and go to Sergio’s house where his wife, Thomasa would be stirring a pot of atole or coffee and feeding the babies. Then we’d make the rounds. That meant visiting each and every weaver working on the Line of the Spirit project, spending time with them as they worked on the loom, going over the designs and the colors to be used. It was an amazing and inspiring time, and we would often return to Oaxaca after dark, exhausted but elated. Richard exuded energy and it was hard for him to stop and call it a day when he was in the rhythm of working with the weavers. We would also spend part of the day with Alta, discussing the dyes and the nuances of the colors. She was a consummate artist at the dye pots.
Everyone loved Richard, his enthusiasm, his willingness to work with each of them, imparting his vision to them and appreciating his pleasure with what they were producing. When pieces would come off the loom, they would be carried back to Richard’s house where we would examine each weaving, inspecting and admiring them. There was always an intimate connection between us, the team of Sergio, Miriam and Alta and, of course, the individual weavers and their families, including the children who seemed to delight in our visits. Now, twenty years later, many of the original weavers are still working on the Line of the Spirit and some of those children have joined the project, having become excellent weavers in their own right.
Everyone has moments in their lives that seem inconsequential at the time but, in retrospect, we can recognize the impact of that chance meeting or conversation.
It was an outdoor party held at Ellie’s house, just down the road from where I lived in the small valley of Valdez, just outside of Taos, New Mexico, that Richard Enzer rode into my life. I had been stumbling around in the woods, trying to get back to where most of the people were gathered in the open area around the house, unable to find my way through the dense vegetation. I was beginning to feel panicky.
At the moment I started to emerge into the warm sunlight, Richard got down from the horse he had been riding and, seeing my face, strode over and opened his arms to hold me. There were no words exchanged, just the comfort and security offered in that reassuring embrace, one person to another. For me, it was a defining moment and despite the various experiences we shared in the ensuing years, that gesture of kindness and recognition remained.
We each wandered off in different directions then at the party and during the following years. Living in a small town, I heard about him from time to time but it wasn’t until a number of years later that he reappeared in my life. High cialis from canada blood pressure and poor vascular health are reasons to erectile dysfunction. At the point when viagra store usa cgmp is wrecked the veins come back to their ordinary size, successfully finishing the erection. In the US alone, online viagra in australia there are more than 30 million Americans experience intense or chronic headaches. Some likewise reported levitra price bought that nasal congestion being a problem. My partner and I had spent more than a dozen years building a business that involved our active participation in a small Zapotec Indian weaving village located in the mountains just outside of Oaxaca, Mexico. As the years passed, our business grew as did that of the people we worked with. We worked seven days a week and spent several months in Mexico every winter working with the weavers and building what developed into a small eco resort and retreat center in another part of the country, the Yucatan Peninsula of Mexico.
During the years of the 1980’s, we were buying large quantities of beautiful hand-loomed rugs and wall hangings, carefully selecting each piece. We were receiving shipments regularly and had our own “bodega” or storage area. Here our extra inventory was carefully stacked and laid out. Shipments that were received at the shop were taken there to be unpacked, examined and admired again before putting them in their proper places.
It was on one of these occasions that we were unpacking a shipment, that we realized the rugs were not familiar to us. They were stunningly beautiful in deep rich tones of complex designs. It didn’t take us long to realize that they were Richard’s rugs that had been sent to us by mistake.
Although we hadn’t been in touch with him, we knew that Richard had been working in the same weaving village that we were, after a long absence from Taos, and designing his own rugs there. With the help of noted weaver and colorist, Rachel Brown of Taos, New Mexico, he developed a palette of deep, rich colors more reminiscent of fine oriental rugs than the colors and designs being used in the small Zapotec Indian village.
His experience working with the New York rug gallery, the Gordian Knot, expanded his design horizons with oriental design elements included in his own collection of Southwestern designs, which he called the Line of the Spirit. We hadn’t ever seen any of his collection but it was clear as we unfolded the pieces that day in our bodega, that Richard had gone far beyond anything being produced in the village and, with good reason, we were very impressed.
Tracking him down wasn’t difficult and we sent the shipment on to him. Not long after, he suggested that we look once again at some of his pieces with the idea of our purchasing them. We did and found it a perfect addition to our own fine collection at what was then known as La Unica Cosa (the only thing), now Starr Interiors. We loved the rugs and our customers responded to our enthusiasm and were soon buying from Richard on a regular basis.
It wasn’t very long afterward that Richard showed up at the shop one day with his art director from the village to lay out a proposition. What came of that discussion was the beginning of my long involvement with the Line of the Spirit, which continues to this day.
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We are pleased to be open again! 7 days a week 10am - 5pmCome visit our gallery now in its 47th year, or feel free to contact Julie or Roy for an appointment.
